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House Group, the evening meal; polychrome; terra cotta group representing a two-story house with canopy roof on piles and 11 figures occupied with various household tasks on two levels an upper terace and a lower, enclosed room with a wide doorway; on each of two sides a stairway of five steps leads from the base to the upper level; the surface is decorated in polychrome (red, yellow, black) with geometric designs lozenges interlocked and wavy stripes; the piece is much weathered and has been extensively restored

House Group, c. 100-400

Nayarit

G260

Carved stone yoke with design of a crouching man, his head in the jaws of a monster, gripping a snake. The corners are finished with men's heads in monster's jaws. Serpentine.

Yoke, c. 600-900

Nopiloa (Veracruz)

G260

stone figure with red pigment stands on black wood base with hands touching index figure to thumb; face incised on either side with rectangular markings; headdress crowns figure with large ear ornaments; small drill hole in center of chest

Chalchiuhtlicue, c. 1200-1521

Aztec

G260

standing figure of green jade; short legs and short arms; frowning expression; wide nose; large incised blank eyes; pierced ears

Figure, 900-300 BCE

Olmec

G255

figure wears a replica of a heavy stone yoke at waist over skirt with fret motif; necklace; bands of bracelets on left arm; headdress broken at right. On the left knee a nead with round headdress in relief. Hole in right shoulder forms hook from which rattle could be suspended. The mould for front of body is well designed but assembled crudely with the mould for back.; Pinkish white pottery

Figure, c. 600-750 CE

Nopiloa (Veracruz)

Not on View

Art %C2%A9 Tamayo Heirs %2F Mexico %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

The Family, 1936

Rufino Tamayo

G322

covered pot with incised design around dome-shaped lid, central knob with hole through center; body has straight sides rising from sharply slanting bottom; 4 decorative rectangles with incised design on sides; pottery-beige clay with burnished brown slip

Serving Vessel, c. 600-900 CE

Maya

G260

Seated female figure, legs missing, wearing a short apron-like garment terminating at the knees. Upper body clothed in a laced jerkin suggested by applied rolls of clay. Wide bands of clay form a turban headdress and wristlets. A thick roll of clay with ball pendant makes the necklace and a ball of clay serves as a nose ornament. There are traces of painted bands around the eye sockets, and around the slit mouth. Ear plugs and rings. The hands, resting on knees, are sketchily modeled. Restored at neck.

Figure, 500-799

Nopiloa (Veracruz)

G255

%C2%A9 2012 Artists Rights Society %28ARS%29%2C New York %2F SOMAAP%2C Mexico City

Casa arruinada, 1929

José Clemente Orozco

G255

%C2%A9 2012 Artists Rights Society %28ARS%29%2C New York %2F SOMAAP%2C Mexico City

El requiem, 1928

José Clemente Orozco; Printer: George C. Miller; Publisher: Weyhe Gallery, New York

G255

Small seated dog with short pointed ears and a short tail, curling over on top; uneven incised eyes

Dog, c.100-300 CE

Colima

Not on View
Face with small sunken eyes, flat nose, moustache and open mouth with tongue sticking out; wearing headband with quatrefoil medallion at front

Mask, c. 250-600

Maya

G260

%C2%A9 2019 Banco de M%C3%A9xico Diego Rivera Frida Kahlo Museums Trust%2C Mexico%2C D.F. %2F Artists Rights Society %28ARS%29%2C New York

Head of a Young Girl, c. 1940-50

Attributed to Diego Rivera

G255

Abstracted landscape; red-brown mountina shape with lines, "cracks"; mottled blue-black sky; pale yellow moon orb

Art %C2%A9 Tamayo Heirs %2F Mexico %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Paisaje con luna, 1977

Rufino Tamayo; Printer: Taller de Gráfica Mexicana, Mexico City (now Mixografia, Los Angeles); Publisher: Taller de Gráfica Mexicana, Mexico City (now Mixografia, Los Angeles)

G255

human face with long ears; open mouth with teeth; red linear designs

Mask, c. 900-300 BCE

Olmec

G255

Large, white canvas with crisscrossing pencil grid lines; abstract, quilt-like motif following gridlines at center of canvas, bursting into grid in greens, blue, yellow, and gold leaf

%C2%A9 Gabriel Orozco

Untitled, 2016

Gabriel Orozco

G255

torso and arms of a woman wearing a sweater, skirt, and shirt with horizontal stripes of various widths, in front of a plaid fabric panel, holding a framed photograph of a young woman wearing a headscarf and vertically striped blouse, with a horizontal line across her cheeks and nose and geometric designs on her cheeks

%C2%A9 Graciela Iturbide

Retrato Seri, 1979

Graciela Iturbide

G255

wool weft, cotton warp; border enclosing varigated background with central diamond motif; red, blue, yellow and white colors

Saltillo Serape, c. 1750-1800

Mexico

G260

Whistle in the form of a Dignitary; Island of Jaina style. Figure stands with arms crossed and feet spread well apart. The costume consists of a short, two-tiered skirt with a wide panel descending to feet in center front. Stylized hair with feathered headdress, pectoral, earrings. The face is well modelled, with arched nose and flattened brow. A whistle, modelled in left shoulder blade, makes clear musical note when blown. Painted in blue, red, black,and white. An unusually fine example.

Whistle, 600-900

Maya

Not on View

%C2%A9 2012 Artists Rights Society %28ARS%29%2C New York %2F SOMAAP%2C Mexico City

La Bandera, 1928

José Clemente Orozco; Printer: George C. Miller

G255

Olla, red and black on buff, with a design of scrolls on a horizontally hatched ground, triangles, and stepped motifs. Bottom scorched, paint worn in some areas, Casas Grandes type, rim restored. Ramos polychrome. Tardio phase.

Pot (Olla), c. 1000-1300

Paquimé (Casas Grandes)

G255

%C2%A9 2012 Artists Rights Society %28ARS%29%2C New York %2F SOMAAP%2C Mexico City

La retaguardia, 1929

José Clemente Orozco; Printer: George C. Miller; Publisher: Weyhe Gallery, New York

G255

Copyright of the artist%2C artist%27s estate%2C or assignees

Mujer de Taxco, 1937 (1947 edition)

LuĂ­s Arenal; Publisher: Associated American Artists, New York

G255

red ground with thin horizontal stripes in white, black; wool (supplementary weft patterning?) at ends; white cotton fringe

Man's Sash, 1965-1970

Maria Ruiz

Not on View
Squatting male figure, with PL hand on knee and PR hand on thigh; short hair in circular curls; brown lines on face, arms, chest, stomach, legs and buttocks

Figure, c. 800-1100

Guanacaste

Not on View
32 miniature figurines, male and female; pottery ; each approx. 1-2 in.; Tlatilco, Valley of Mexico

Miniature figurine, 1500 BCE

Tlatilco

Not on View
32 miniature figurines, male and female; pottery ; each approx. 1-2 in.; Tlatilco, Valley of Mexico

Miniature figurine, 1500 BCE

Tlatilco

Not on View
32 miniature figurines, male and female; pottery ; each approx. 1-2 in.; Tlatilco, Valley of Mexico

Miniature figurine, 1500 BCE

Tlatilco

Not on View
32 miniature figurines, male and female; pottery ; each approx. 1-2 in.; Tlatilco, Valley of Mexico

Miniature figurine, 1500 BCE

Tlatilco

Not on View

Art %C2%A9 Tamayo Heirs %2F Mexico %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Niña a la Puerta, 1960

Rufino Tamayo

Not on View

Art %C2%A9 Tamayo Heirs %2F Mexico %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Desnudo en gris, 1959

Rufino Tamayo

Not on View
Jesus on the cross, with 2 birds near his arms and 2 mice at top; Joseph kneeling on PR, holding a cup; Mary standing at PL, hands folded

The Crucifixion, mid 20th century

Mexico

Not on View

The Procession, c. 1890-1895

José Guadalupe Posada

Not on View
square two-paneled huipil with wide-looped rayon stitch embroidery; bright pink stitching around neck and arm holes; bright colored cross-stitched stripes running down each side and back

Woman's blouse (huipil), c. 1998

Tzeltal

Not on View
wide sash with triple black, red and black stripes, with multicolored acrylic brocade on both ends

Man's Sash, c. 1980

Tzotzil Maya

Not on View
white two-paneled cotton pants, woven; white cotton drawstring

Man's Pants, c. 1980

Tzotzil Maya

Not on View
one paneled black skirt with five white cotton stripes

Skirt, c. 1930

Tzotzil Maya

Not on View
brimmed straw hat with conical top; clusters of red, green, and yellow ribbons hang over brim and from top; red and yellow silk tassel on top. Textile - Non-Woven

Hat, Date Unknown

Maya

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
hole through center of each; strung together with jade earplugs (L96.173.3.1-15)

Bead, one of six, 15th century

Mexico

Not on View
hole through center of each; strung together with jade earplugs (L96.173.3.1-15)

Bead, one of six, 15th century

Mexico

Not on View
black ceramic abstract dog in rectagular shape with red eyes and tongue and red trim in the form of diamonds, triangles and circles

Dog still bank, 20th century

Mexico

Not on View
tan pig painted with dark green plants, rust cactus and animals; rust legs and handle; coin slot below handle proper right;

Pig still bank, mid 20th century

Mexico

Not on View
One in a group of seven spindle whorls, having incised designs, some on top, bottom and sides, others on top and sides ceramic. .2 (199/2) L.3/4, Diam. 1-5/8 in.

Spindle Whorl, one of seven, Date Unknown

Mexico

Not on View
One in a group of seven spindle whorls, having incised designs, some on top, bottom and sides, others on top and sides ceramic. .3 (199/3) L.3/4, Diam. 1-5/8 in.

Spindle Whorl, one of seven, Date Unknown

Mexico

Not on View
One in a group of seven spindle whorls, having incised designs, some on top, bottom and sides, others on top and sides ceramic. .4 (199/4) L.3/4, Diam. 1-7/8 in.

Spindle Whorl, one of seven, Date Unknown

Mexico

Not on View
One in a group of seven spindle whorls, having incised designs, some on top, bottom and sides, others on top and sides ceramic. .5 (199/5) L.3/4, Diam. 1-7/8 in.

Spindle Whorl, one of seven, Date Unknown

Mexico

Not on View
One in a group of seven spindle whorls, having incised designs, some on top, bottom and sides, others on top and sides ceramic. .6 (199/6) L.7/8, Diam. 2-1/4 in.

Spindle Whorl, one of seven, Date Unknown

Mexico

Not on View
One in a group of seven spindle whorls, having incised designs, some on top, bottom and sides, others on top and sides ceramic. .7 (199/7) L.3/4, Diam. 1-7/8 in

Spindle Whorl, one of seven, Date Unknown

Mexico

Not on View
Elliptical in shape, smoother than the others in the set (not as deeply inscribed). Black/grey in color

Spindle Whorl, from a group of thirteen, Date Unknown

Mexico

Not on View
Elliptical in shape. Geometric pattern with two rings around "sides". Brown in color.

Spindle Whorl, from a group of thirteen, Date Unknown

Mexico

Not on View
Six panels with three horizontal lines each, a ring around each hole. Brown/black in color incised part is white.

Spindle Whorl, from a group of thirteen, Date Unknown

Mexico

Not on View
Round in shape. Four eye shapes around center. Brown/red in color.

Spindle Whorl, from a group of thirteen, Date Unknown

Mexico

Not on View
Nine vertical lines around the top half of the bead with a circle inbetween every two lines (five circles total). Black/grey in color.

Spindle Whorl, from a group of thirteen, Date Unknown

Mexico

Not on View
Black with relief in tan. "V" shaped lines with hash marks between them. Ring around the bottom hole. Flat on one side.

Spindle Whorl, from a group of thirteen, Date Unknown

Mexico

Not on View
Flat top and rounded bottom. Intricately incised. Red/brown in color.

Spindle Whorl, from a group of thirteen, Date Unknown

Mexico

Not on View
Black with a flat top. Four eye shapes around middle with a line that connects them.

Spindle Whorl, from a group of thirteen, Date Unknown

Mexico

Not on View
Roundest in shape. Stipple design in five circles. Red/black in color

Spindle Whorl, from a group of thirteen, Date Unknown

Mexico

Not on View
Flat top with rounded bottom. Geometric swirl design. Deeply incised. Red/black in color.

Spindle Whorl, from a group of thirteen, Date Unknown

Mexico

Not on View
Geometric pattern around center. Oval in shape. Black

Spindle Whorl, from a group of thirteen, Date Unknown

Mexico

Not on View
Flat on the top rounded bottom. Four rings around center with vertical dashes in-between and on top. Red in color with Tan incising.

Spindle Whorl, from a group of thirteen, Date Unknown

Mexico

Not on View
bowl made from lower portion of a gourd; interior beaded with two birds, two quadrupeds, butterfly and geometric designs in multicolored beads on blue beaded ground

Gourd Bowl with Beaded Interior, before 1950

Wixáritari (Huichol)

Not on View
standing skeleton dressed in green and yellow long dress with gold glitter-covered scarf and grey hat with flowers and large green bird's wings; purple parasol in PL hand and cigarette in holder in PR hand; spring at neck

%C2%A9 Josefina Aguilar

Untitled, 20th century

Josefina Aguilar

Not on View
large water kettle with hinged cover; two bone or ivory rings on handle; shoulder decorated with scrolling flowers; raised stand with warming burner at bottom center

Water kettle and stand, from a six-piece tea and coffee service, c. 1950-1960

Mexico

Not on View
teapot on footed base; hinged cover; two bone or ivory rings on handle; shoulder decorated with scrolling flowers; ribs on body, foot and cover

Teapot, from a six-piece tea and coffee service, c. 1950-1960

Mexico

Not on View
coffee pot on footed base; hinged cover; two bone or ivory rings on handle; shoulder decorated with scrolling flowers; ribs on body, foot and cover

Coffee pot, from a six-piece tea and coffee service, c. 1950-1960

Mexico

Not on View
cream pitcher on a footed base; wide pour spout; shoulder decorated with scrolling flowers; ribs on body and foot

Creamer, from a six-piece tea and coffee service, c. 1950-1960

Mexico

Not on View
woman seated kneeling with knees apart; very thin, stylized lower legs; wearing apron-like skirt in tan; red torso and arms; bare breasts decorated with black spirals; black lines under arms, below breasts, vertically down center of torso from neck on front and back; very short PR arm outstretched; PL arm bent at elbow with hand on back of head; flat yellow face with pierced earlobes, very long pointed nose and large open mouth with teeth

Seated Female Figure, 200 BCE - 300 CE

Jalisco

Not on View
seated stylized figure with tapering, bowling pin-shaped legs splayed out; very short, small arms with hands on hips; rather flat head; bulbous nose which may have carved ring between nostrils; small smiling mouth; three red lines from forehead over each eye and across cheeks; black diagonal stripes on upper body and diagonal crosshatching on lower body; red lower legs; hole at top back of head

Seated Figure, 100 BCE - 250 CE

Nayarit

Not on View
figure seated with PL leg drawn under body and PR knee bent up with foot down; figure rests PL "hand" on PR knee and PR forearm on same knee, "hand" on cheek; very thin long arms; thick legs; figure wears loincloth type of garment with crosshatching in dark brown; triangular shaped face with large pointed nose and small open mouth; brown short hair; delineated spine and arcing lines on sides of body--ribs?; hole at top back of head

Seated Figure, 100 BCE - 250 CE

Nayarit

Not on View
sculpture depicting Garden of Eden; tree at center with devil at top and snake sliding down trunk; Adam and Eve figures, each wearing leaf covering genitalia, stand at base of tree; scenes depicting heaven and hell around tree base; angel over Adam's shoulder; various animals, plants and flowers overall; brightly painted

%C2%A9 Josefina Aguilar

Expulsion from the Garden of Eden, 20th century

Josefina Aguilar

Not on View
slightly abstracted image; lion tamer at right with chair, with lines and decorations on his face and rather undifferentiated, rippling body; male lion seated at left; lioness lying at bottom of image

%C2%A9 2012 Artists Rights Society %28ARS%29%2C New York %2F SOMAAP%2C Mexico City

Leon (Lion), 1970

Francisco Toledo

Not on View
matador seated on a stool covered with a tan cloth, wearing a black and gold costume with coral-colored tie and stockings, holding his red and black sword in his PR hand and his red cape in his PL hand; painting of Mary holding baby Jesus surrounded by cherubs behind man

%C2%A9 2006 Denise De La Rue. All rights reserved.

David Luguillan, Madrid, Spain, 2006

Denise De La Rue

Not on View
matador wearing orange, black and silver costume with coral-colored stockings, with blood stains on pants, leaning against a table with a black cloth with heavy needlework in white; very large mirror behind man reflecting chandelier and tapestry hanging on opposite wall

%C2%A9 2006 Denise De La Rue. All rights reserved.

Jose Ignacio Uceda Leal, Madrid, Spain, 2006

Denise De La Rue

Not on View
straw hat with wide brim; red tassel at top; red and green ribbons hanging from rim; red and orange-yellow yarn trim; leather chin strap

Ceremonial hat, 20th century

Maya

Not on View
rectangular box with rounded hinged top; hinged front opens to reveal top inner rectangular compartment with two drawers below; exterior, front of drawers and top compartment and front panel decorated overall with brightly colored lacquer imagery--hunting scenes, flowers, couples with various animals (dogs, rabbits, birds); interior of top compartment and cover are rust-colored lacquer; key included

Bufetillo, 17th century

Mexico

Not on View
standing clown pulling his baggy knickers away from his body at each hip; clown wears pointed cap and horizontally striped socks and stands in front of a curtain with tassels at right; text above and below figure: "EL CLOWN MEXICANO / GUADERO / No. 6 / PUBLICADO / POR / A. VANEGAS ARROYO. / MEXICO. POSADA"

El Clown Mexicano (Mexican Clown), plate 1 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Printer: Taller de Grafica Popular, Mexico City; Publisher: La Estampa Mexicana, Mexico

Not on View
demons with monkey-like faces with horns and tails at right; many crosses at left with woman seen from back riding on a deer

IlustraciĂłn para un Cuento (Illustration for a Song), plate 2 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
image in a rondel of three men looking at two women seen from back wearing sandwhich boards; board of woman at center reads, "TE / VOLVI / A / VER"; text at top: "12 / COLECCION / DE / CANCIONES / PARA / 189"

Te volvi a ver (I saw you again), plate 3 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
two bearded standing men wearing long coats, vests and bow ties, with their arms around each other's shoulders; man at left holds a stemmed drinking glass; four other men seated at a table at left; text at top and bottom: "EL BRINDADOR / POPULAR / GUADERNO / NO. 3. / PUBLICADO / POR / A. VANDEGAS ARROYO. / MEXICO"

El Brindador Popular (The Toast), plate 4 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View
standing musicians wearing uniforms, playing horns and saxophones

La Banda (The Band), plate 5 from "25 Prints of Jose Guadalupe Posada", 1942

José Guadalupe Posada; Publisher: La Estampa Mexicana, Mexico; Printer: Taller de Grafica Popular, Mexico City

Not on View

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